This time we're checking in with Teti Lutsak. She designed Lisianthus, the elegant dickey in Issue 25. Lightweight yet warm, it is a wonderful piece for adding an extra layer of coziness to your outfit without any extra bulk.
If you're not a fan of ruffles, no worries! When you make yourLisianthus you can skip the front ruffle and show off the hidden cable detail instead.
Keep reading to learn more about Teti and her design!
amirisu: What was your inspiration for this design?
Teti:The design was inspired by the delicate yet very architectural embroidered French blouses with frills and high collars. On my trip to Paris just a few weeks before submitting the idea to amirisu, I spent hours in the Palais Galliera(fashion museum displaying three centuries of clothing) and the inspiration must have come from there and the chic vibes of Paris itself.
amirisu: What, if any, challenges did you encounter during the design process?
Teti: My biggest challenge was to get the shaping and the fit of the neck and shoulders right, without any bulking, rolling in wrong places. After that point, it's a very easy and quick knit. I especially love the double turtleneck: in fingering weight yarn it is still very light, yet serves its purpose and keeps you warm. And that little frill on the front is very sweet.
amirisu: If you were to knit this design in another color, what would it be? Teti:Oatmeal and all the colours you imagine thinking about bright warm autumn. Luckily, Le Petit Lambswool comes in so many beautiful colours and shades.
amirisu: How did you start your knitting journey? Teti: I started knitting to escape the everyday life of a PhD student. In the evenings and during the weekends. Learning everything by watching others and fearlessly casting on new things. Since knitting was a rebellion against strict lab protocols I had to follow during the day, I avoided patterns. That was how I became a designer.
amirisu: Do you have a favorite museum or work of art? Please tell us a little about it. Teti:All the ethnographic museums. I mean, all of them, no matter where in the world I am. Especially the sections with traditional clothing. I can spend hours studying the cuts, embroidery techniques, all the patterns and elements. I also draw a lot of inspiration from my own Ukrainian heritage. And nature of course. There's always something magical happening in nature, we just have to be present to notice it and translate in what we do. For me now that's designing knitting patterns.